Powerhouses Rose Byrne and Kelli O’Hara Bring the Comedy (and the Scandal) in This ‘Risque’ Broadway Revival

Also, the drinks

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Joan Marcus

Fallen Angels is a 90-minute Broadway production that trades on suppressed lust. Two upper-class married women (played brilliantly by Rose Byrne and Kelli O’Hara) find themselves on the cusp of an unexpected reunion with a premarital sexual partner—a Frenchman named Maurice and played by Mark Consuelos—just as their unwitting husbands leave for a golf weekend. Yes, way back when, the now poised and proper friends both enjoyed dalliances with the same man. How scandalous! But the news of a potential rendezvous in Venice, where they now live, is equal parts titillating and transgressive.

The question on deck—and the one that molds this hilarious Noël Coward comedy, first written in 1925—is this: Should their former lover actually make good on his promise to call, will they answer?

Thus kicks off a show so delightful, the dated-feeling nature of the scandal—sex before marriage—has nothing on the elegance, physical comedy and dry-witted humor Byrne and O’Hara (two pros) bring to the stage.

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Joan Marcus

In fact, the show begins with a bang: Julia (O’Hara) is chatting informally with her spouse, Fred (Aasif Mandvi), about the introduction of a new housemaid Saunders (Tracee Chimo), his golf game and the blissful state of their romance. The interaction feels loving and kind, but that’s when Julia casually drops a bomb: She tells Fred that they are no longer in love before defining the conversation as nothing more than a fun “psychological romp.” Ouch.

This is the moment that hooked me in. What might have otherwise come off as a crusty premise instead reveals dialogue that reflects modern ideals—mainly, the reality that love looks pretty different over time. (I should add that this production was last performed on Broadway 70 years ago and earned a rebuke from the theater censor office of the Lord Chamberlain when it first debuted for being too risqué.)

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Joan Marcus

Enter Jane (Byrne, who is also fresh off an Oscar nom) and a “will they, won’t they” plotline that is riddled with bon mots as she and Julia debate the pros and cons of welcoming Maurice back into their lives and, gasp, committing adultery.

This is the presise that allows the pair’s chemistry to take center stage. Together, Byrne and O’Hara don’t miss a beat as they trade back-handed compliments, anxieties and reflections on past versions of themselves. (Also, hilarity as they subtly peer pressure each other to drink.) To watch their stylish elegance unravel at the mere thought of Maurice, but also the naughty nostalgia they embrace simply by reminiscing about the sexual freedom they enjoyed before getting hitched? It’s a credit to their performance and the pace of the production that leaves audience members hanging on their every line. (Byrne’s appearance in particular by the end of the show is so jarring and hilarious, I laughed out loud.)

Bottom line: It’s been a minute since I’ve seen a show where you are so carried away by the characters that the conclusion feels like the ultimate reward. No spoilers here, but this is a show that more than sticks the landing. And, once again, emphasizes the silliness—and modernity—of its heroines. IMO, this is a top pick.

Fallen Angels is playing now through June 7 at the Todd Haimes Theatre.

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Rachel Bowie

Senior Director, Special Projects and Royals

  • Writes and produces family, fashion, wellness, relationships, money and royals content
  • Podcast co-host and published author with a book about the British Royal Family
  • Studied sociology at Wheaton College and received a masters degree in journalism from Emerson College