I remember being a new graduate, working at a small recycling nonprofit outside of D.C. I made $30,000 a year and much of it went toward rent and bills. Any disposable income I had was usually spent during my lunch breaks at the nearby Ulta. Most days, I couldn’t afford much more than a bottle of nail polish (cost: $8), but it was always thrilling to walk out with something—however small.
Fast-forward four years and I was just starting a new career as a beauty editor. I still wasn’t making much money, but there was a crucial difference: I suddenly had all the access in the world to beauty products. Every day, new bags and boxes of shiny lipsticks and shimmery eye shadows were hand-delivered to my desk by a jovial man named Tomas. And every night I would spend hours scanning the labels, swatching every shade and sniffing every bottle before reluctantly forcing myself to go home (armed with an overstuffed tote, of course). It was pure heaven.
Another six years have come and gone, and I am still a (very lucky) beauty editor. But lately, I find myself feeling overwhelmed. Where there once were big launches tied to a season, there are now new! exciting! products coming out every day from all corners of the world—and from brands as big as the ones you find in drugstores to ones that just started a few months ago in someone’s kitchen.
Take, for instance, the rapid growth of the Indie Beauty Expo, which is the largest showcase of independently owned beauty brands in the world. Since its launch in 2015, the number of exhibiting brands jumped from 81 to over 500 in 2018 (and they’re projecting up to 750 participants this year). Mind you, these are just the brands that meet the criteria of being "commercially ready," meaning their sales, distribution and product support are all in place so they can fulfill orders. There are thousands of brands that don’t make the cut. Each with their own range of comprehensive skus.